{"id":1813,"date":"2024-04-16T13:21:54","date_gmt":"2024-04-16T13:21:54","guid":{"rendered":"https:\/\/canal.museunacional.cat\/sobre-mnac\/"},"modified":"2026-07-17T11:37:11","modified_gmt":"2026-07-17T11:37:11","slug":"sobre-mnac","status":"publish","type":"page","link":"https:\/\/canal.museunacional.cat\/es\/sobre-mnac\/","title":{"rendered":"+MNAC"},"content":{"rendered":"\n\n\n \n \"MNAC\"\n\n \"MNAC\"\n\n\n
\n

Canal +MNAC<\/h1>\n

\n

Bienvenidos al canal +MNAC<\/strong>, un espacio digital en constante evoluci\u00f3n dedicado a difundir los contenidos audiovisuales del Museu Nacional d\u2019Art de Catalunya. Descubre<\/strong> nuestra colecci\u00f3n, las \u00faltimas exposiciones y las actividades m\u00e1s relevantes del museo a trav\u00e9s de tres bloques tem\u00e1ticos: MIRA,<\/a><\/strong> ESCUCHA<\/strong><\/a> y LEE<\/strong><\/a>.
\nDe este modo<\/strong>, ofrecemos m\u00faltiples perspectivas y relatos al p\u00fablico.<\/p>\n\n <\/h2>\n <\/article>\n

<\/div>\n<\/section>\n\n\n
\n

MIRA<\/h3>\n \n\n
\n
\n
\n
\n
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\n Mas el Rac\u00f3, arte y naturaleza\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
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\n Josep Llorens Artigas, la cer\u00e1mica de arte\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
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\n Suzanne Valadon, amb Maria Climent i Eduard Vall\u00e8s\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
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\n En campa\u00f1a, de Santiago Rusi\u00f1ol\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
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\n Hacia un nuevo museo\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
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\n La ciudad como hogar\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
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\n Charles Clifford\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
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\n P\u00e8l & Ploma\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
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\n Descubrimos a Eveli Torent, un artista singular\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
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\n Pr\u00f3ximamente \\ Las claves de Eveli Torent, con Llu\u00efsa Sala Tubert\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n\n \n
\n \n <\/path>\n<\/svg> <\/div>\n
\n \n <\/path>\n<\/svg> <\/div>\n <\/div>\n <\/section>\n\n\n\n
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\n ESCUCHA\n <\/h3>\n \n\n
\n
\n
\n
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\n \"Suzanne\n <\/figure>\n
\n

\n Suzanne Valadon, una artista libre\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Escucha\n <\/figure>\n
\n

\n Escucha P\u00e8l & Ploma\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
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\n \"Pol\n <\/figure>\n
\n

\n Pol Guasch y Roser Cambray\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"La\n <\/figure>\n
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\n La colecci\u00f3n Weisman & Michel\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Hostias\n <\/figure>\n
\n

\n Hostias sangrantes\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"La\n <\/figure>\n
\n

\n La mujer del vestido amarillo\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Circuncisi\u00f3n:\n <\/figure>\n
\n

\n Circuncisi\u00f3n: la ablaci\u00f3n del prepucio\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Alboraique\"\n <\/figure>\n
\n

\n Alboraique\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"La\n <\/figure>\n
\n

\n La leyenda de Suzanne y Erik\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"La\n <\/figure>\n
\n

\n La conexi\u00f3n catalana\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n \n
\n \n <\/path>\n<\/svg> <\/div>\n
\n \n <\/path>\n<\/svg> <\/div>\n <\/div>\n <\/section>\n\n\n\n
\n

\n LEE\n <\/h3>\n \n\n\n
\n
\n
\n
\n
\n \"DES\n <\/figure>\n
\n

\n DES DEL CENTRE. Eug\u00e8nia Balcells\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"DES\n <\/figure>\n
\n

\n DES DEL CENTRE. Eug\u00e8nia Balcells\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Cat\u00e1logo\n <\/figure>\n
\n

\n Cat\u00e1logo de la exposici\u00f3n \u00abEveli Torrent. Entre Els Quatre Gats y la masoner\u00eda\u00bb\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Lee\n <\/figure>\n
\n

\n Lee P\u00e8l & Ploma\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Glosario\n <\/figure>\n
\n

\n Glosario \u00abEl espejo perdido. Jud\u00edos y conversos en la Edad Media\u00bb\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"PUNCTUM.\"\n <\/figure>\n
\n

\n PUNCTUM.\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Suzanne\n <\/figure>\n
\n

\n Suzanne Valadon: lecturas recomendadas\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Cr\u00f3nica\n <\/figure>\n
\n

\n Cr\u00f3nica de Jordi\u00a0Longaron\u00a0en Nueva York\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Cat\u00e1logo\n <\/figure>\n
\n

\n Cat\u00e1logo de la exposici\u00f3n \u00abSuzanne Valadon. Una epopeya moderna\u00bb\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"DES\n <\/figure>\n
\n

\n DES DEL CENTRE. Eug\u00e8nia Balcells\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"DES\n <\/figure>\n
\n

\n DES DEL CENTRE. Eug\u00e8nia Balcells\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Cat\u00e1logo\n <\/figure>\n
\n

\n Cat\u00e1logo de la exposici\u00f3n \u00abEveli Torrent. Entre Els Quatre Gats y la masoner\u00eda\u00bb\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Lee\n <\/figure>\n
\n

\n Lee P\u00e8l & Ploma\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Glosario\n <\/figure>\n
\n

\n Glosario \u00abEl espejo perdido. Jud\u00edos y conversos en la Edad Media\u00bb\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"PUNCTUM.\"\n <\/figure>\n
\n

\n PUNCTUM.\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Suzanne\n <\/figure>\n
\n

\n Suzanne Valadon: lecturas recomendadas\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Cr\u00f3nica\n <\/figure>\n
\n

\n Cr\u00f3nica de Jordi\u00a0Longaron\u00a0en Nueva York\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n
\n \"Cat\u00e1logo\n <\/figure>\n
\n

\n Cat\u00e1logo de la exposici\u00f3n \u00abSuzanne Valadon. Una epopeya moderna\u00bb\n <\/h4>\n <\/figcaption>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n \n
\n \n <\/path>\n<\/svg> <\/div>\n
\n \n <\/path>\n<\/svg> <\/div>\n <\/div>\n <\/section>\n \n\n\n\n

Ahora en el Museo<\/h3>\n
\n
\n \n
\n\n
\n
\n
\n \"Josep\n <\/a>\n <\/figure>\n
\n\n

\n Josep Llorens\u00a0Artigas y la cer\u00e1mica de arte\n <\/h4>\n
16\/12\/2024 – 15\/12\/2027<\/div>\n <\/div>\n
\n \n M\u00e1s informaci\u00f3n\n <\/a>\n\n <\/div>\n <\/figcaption>\n<\/div>\n <\/div>\n \n
\n\n
\n
\n
\n \"Francesc\n <\/a>\n <\/figure>\n
\n\n

\n Francesc d’A. Gal\u00ed. El maestro invisible\n <\/h4>\n <\/div>\n
\n \n M\u00e1s informaci\u00f3n\n <\/a>\n\n <\/div>\n <\/figcaption>\n<\/div>\n <\/div>\n \n
\n\n
\n
\n
\n \"Zurbar\u00e1n\n <\/a>\n <\/figure>\n
\n\n

\n Zurbar\u00e1n (sobre)natural\n <\/h4>\n <\/div>\n
\n \n M\u00e1s informaci\u00f3n\n <\/a>\n\n <\/div>\n <\/figcaption>\n<\/div>\n <\/div>\n \n
\n\n
\n
\n
\n \"Strappo:\n <\/a>\n <\/figure>\n
\n\n

\n Strappo: No por azar cae el patriarcado\n <\/h4>\n <\/div>\n
\n \n M\u00e1s informaci\u00f3n\n <\/a>\n\n <\/div>\n <\/figcaption>\n<\/div>\n <\/div>\n <\/div>\n
\n
\n
\n \n <\/path>\n<\/svg> <\/div>\n
\n \n <\/path>\n<\/svg> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1813","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n+MNAC - Canal digital del Museu Nacional d\u2019Art de Catalunya<\/title>\n<meta name=\"description\" content=\"+MNAC: explora el arte del Museo Nacional con v\u00eddeos, podcasts y art\u00edculos exclusivos. 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